Spray cans, sketches, and a courtyard wall lesson. This beginner-focused class guides you to invent your own graffiti name and paint a throwup 3D style tag with clear, practice-first steps.

The two standout parts for me are the hands-on coaching (starting with simple marks) and the fact that you leave with a real, finished piece on wall space—not just paper practice.

One thing to consider: groups can vary, and supply hiccups can happen, like running short on spray cans for color choices. Still, with a small class size and an instructor guiding the whole flow, it’s a fun way to get your feet wet.

Key highlights at a glance

• Beginner-first aerosol teaching: you start with dots, lines, and spirals before moving toward a tag.
• Throwup 3D results: you’re aiming for big, readable letters with a pop effect.
• Ocio Gallery stop: you get a cultural-house visit with murals and visuals, plus the gallery area to browse.
• Small group energy: capped at 10 people, which keeps the workshop from feeling like a lecture hall.
• Guides with real street-art experience: instruction you may get from artists like Cali, known professionally as TET, and also guides such as Diego.

Ocio Gallery: where Bogotá street art gets personal

You start at Ocio Gallery in Bogotá, which is more than a checkout counter for a workshop ticket. This is a cultural house setting—an art space where you can look around before paint touches wall. Inside, there are prints by Colombian artists, and the gallery also sells printed clothing, which is an easy souvenir if you’d rather take home a piece of the vibe than only photos.

Then you shift to the outdoor portion: a courtyard behind the building. This matters, because graffiti is taught best in a real context. Instead of staring at a blank surface, you’re surrounded by previous experiments and tags from past participants. You can also see the tone of the place—less “lab report,” more “creative playground with structure.”

If you like combining activities, this works well as a one-two evening. The gallery’s close to the La Perseverancia Market area, where you’ll find plenty to eat nearby. Even if you’re not on a strict schedule, this stop makes the workshop feel anchored in Bogotá’s actual art neighborhoods, not staged in a random classroom.

How the 2-hour class moves: warm-up to wall piece

This workshop runs about 2 hours. The pacing is designed to keep beginners from freezing. Early on, the instructor explains the main goal: you’ll invent a graffiti name and paint it with a throwup 3D style. You’ll also see the materials laid out in front of you, including what gets used for sketch planning versus what goes onto the wall.

Before anyone sprays anything, you warm up. You’re encouraged to stretch your body and specifically your hands. It sounds simple, but it helps you move smoothly with the can and keeps the session from feeling awkward or rushed. Then the instructor demonstrates technique—like shaking the cans well and using the spray confidently.

A fun moment in the intro is the way the guide mimics a giant signature with a can in the air. It’s a quick way to show control and flow. In other words, you’re learning the “movement language” first, not just the final outcome.

The workshop also includes consent for photos. If you want pictures of your process or the space, you’ll be guided on when and how to do it respectfully.

From dots and spirals to a tag you can be proud of

The teaching method is practical: start with small exercises, build confidence, then apply it to your piece. You typically begin with basic practice like making dots, drawing lines, and working through spirals. Those drills may sound like playtime, but they train the same skills you need for graffiti letters—steady direction, even pressure, and controlled spacing.

Once your hand has warmed up, you move into planning. You’ll usually sketch your graffiti name on paper first. This step matters more than it sounds. A good “throwup” tag isn’t random scribbling. You’re shaping letter forms that will read clearly when sprayed large. Planning on paper helps you avoid the classic beginner trap: starting on the wall with no clear structure.

Then comes the fun part: color selection and painting on the wall space. The instructor coaches while you work, offering pointers and adjusting your plan as needed so the piece pops. In a workshop like this, the instructor’s job isn’t just to show technique once. It’s to keep your project on track through the messy middle—when the letters start looking weird and you need a quick correction.

If you’re lucky, your guide may be someone like Cali, known professionally as TET. In one case, Cali coached with a clear sequence: simple exercises first, then working up to a tag, with lots of feedback while participants shaped their finished lettering. Another guide you might meet is Diego, who has worked well with families and keeps kids engaged while still teaching technique.

What you’re really learning in a throwup 3D style

You’re not just painting a name. You’re learning what makes throwup lettering work—big shapes, bold outlines, and a clear 3D effect that still reads from a distance.

Even without advanced art vocabulary, you’ll understand the concept through doing. Throwups are designed for visibility. That’s ideal for beginners because the goal is not perfection in tiny details. It’s clarity and style: letters that look intentional and have depth.

Here’s why this style is such a good learning target for first-timers:

• It’s structured: you can break the look into steps while you paint.
• It’s forgiving: you can correct your line flow and fill choices while working.
• It’s instantly rewarding: once your outline and fill go down, your name suddenly looks like graffiti instead of doodles.

By the end, you have a piece that feels like something you made for the street, even if it was done in a controlled workshop setting.

Materials you get (and how to avoid getting stuck)

This workshop provides what you need to create the piece, including spray cans, graphic markers, nozzles, thick paper, and wall space. You don’t have to bring gear, which is a big part of the value at this price point. The markers and thick paper also matter because they keep planning from becoming vague.

You’ll also get instruction on using the spray cans properly. That includes prep steps like shaking cans well and getting comfortable with the nozzle for smoother, more even marks.

One practical consideration: supply can affect what colors you can use. On a few sessions, people have run into issues when some cans were empty or near-empty, which limits color choice. That doesn’t mean you’ll have the same problem, but it’s smart to be mentally flexible. Go in with a rough idea of your palette, not a “must-use-this-color” expectation.

Also remember: you’re painting outdoors in a courtyard setting. Your job is to follow the instructor’s pace so you can finish your tag while there’s time for guidance and adjustments.

Price and value: is $58 a fair deal?

At $58 per person for about 2 hours, the value comes from what’s included and what’s taught. You’re getting:

• the spray can materials and tools,
• thick paper and markers for planning,
• wall space to produce a finished piece,
• coaching through the process (warm-up, exercises, planning, painting),
• plus a visit to the cultural house area with murals and pictures tied to the experience.

You also avoid the biggest hidden cost of DIY: time. Learning aerosol control on your own can be frustrating and expensive if you waste paint. This class packages the practice and corrections into a guided session.

Group size helps too. The workshop caps at 10 travelers, which is small enough for real feedback. It won’t feel like you’re waiting in line while everyone else gets attention.

One more value angle: you’re combining street-art practice with a gallery visit. If you’re the type who likes context, that cultural-house stop makes your ticket feel less like a one-off activity and more like an art experience in Bogotá.

Who should take this workshop in Bogotá

This is designed for beginners or spray-paint enthusiasts with no previous experience. That matters because the instruction sequence starts with simple, repeatable drills. If you’ve never held a can, you won’t be thrown into complicated techniques with no training.

It also works well if you like making something physical. You’ll see the project go from sketch to wall in the same session, with the guide coaching the process.

Families can fit here, too. One family experience described good interaction with a guide (Diego) and a smooth two-hour art-and-graffiti learning setup. That said, if you’re an adult who wants a quieter, more focused art bubble, consider that group mix can change the vibe. When younger kids are part of the group, attention can get split and the mood can get more chaotic. Not the instructor’s fault, just the reality of shared workshop energy.

Practical notes that affect your experience

Meeting and location

You meet at Ocio Gallery on Cra. 5 #26b – 26 in Bogotá. The activity ends back at the meeting point, so you can plan your evening without juggling extra logistics.

Timing and confirmations

Confirmation typically arrives within 48 hours of booking, subject to availability. If you like to lock plans early, note that on average this workshop is booked about 34 days in advance.

Getting around

It’s described as near public transportation. That’s useful because you’re spending time at a fixed location and don’t want to rely on expensive rides for a short activity.

Photos and respectful behavior

The workshop requests consent for taking pictures. If you’re bringing a camera or want to film your process, be ready to check in rather than assume.

Food and transportation

Transportation, food, and tips aren’t included. If you’re coming straight from another plan, eat beforehand or plan a nearby meal after at the market area.

Should you book Fun Graffiti Workshop in Bogotá?

Yes—if you want a guided entry point into aerosol art and you like the idea of leaving with a finished throwup tag. The workshop is built for beginners, the session includes the key materials, and the coaching approach (warm-up, drills, paper planning, then wall painting) makes it easier to succeed quickly.

Skip it or adjust expectations if you need a very quiet studio experience or you’re hoping for unlimited color options. Also, go in with the mindset that you’re learning technique, not buying a museum-style artwork.

If you’re staying in Bogotá and you want an authentic, hands-on way to understand street art culture beyond photos, this is a strong use of two hours—and it’s priced so you won’t feel like you’re gambling on a “maybe fun” activity.

FAQ

Where is the graffiti workshop meeting point in Bogotá?

The meeting point is Ocio Gallery, Cra. 5 #26b – 26, Bogotá, Colombia.

How long does the workshop last?

It lasts about 2 hours.

What does the workshop cost?

The price is $58.00 per person.

Is this workshop only for experienced graffiti artists?

No. It’s designed for beginners or enthusiasts with no previous experience with spray paint.

What is included in the price?

Included materials and access are spray cans, graphic markers, nozzles, thick paper, and wall space. You also visit a cultural house with unique murals and pictures of the experience.

What is not included?

Transportation, food, and tips are not included.

How many people are in the group?

The maximum group size is 10 travelers.

When will I receive confirmation, and what’s the cancellation window?

You receive confirmation within 48 hours of booking, subject to availability. You can cancel for a full refund up to 24 hours before the experience starts.